In the early days of Richard Linklater's crime comedy hitman, Gary Johnson, who is the character of Glenn Powell, said that the concept of the hitman was Fa He thought that pop culture would allow them to get "taken care of" their enemies if they call the right number or walk through shady alleys. He says he has led those with questionable ethics to believe that they can meet a mysterious person who can help them."

You might say that some true crime cases aren't, but by the end of the hitman, the movie itself (which hit streaming on Netflix on 6/7) is totally leaning towards the magic of the movie. After taking inspiration from the real-life story of a man who worked undercover for the Houston Police Department under the guise of a professional killer, the Hitman tells us that in his "Quending," Linklater and Powell offer melodramatic, classic rom-com conclusions and thoughtful statements about identity.

We're breaking down the ending of Netflix's latest hit hitman because multiple premeditated murders are prevented and one impulsive shooting comes out and leads to another shocking death.

When Linklater introduces Gary, he laments about Nietzsche in front of a college-level psychology class and goes home to his cat, ego, and Id. It will be. Soon, the filmmakers present a story about identity and whether people can change. It becomes even more a question on Gary's mind His part-time gig helping the police in a sting operation sees him as their new go-to for posing as a hit Manforen to catch a potential killer. Once he realizes that there is a malleable part of himself and he enjoys it, he can become credited as the assassin they want him to be, once he realizes that he is good at improvising and studying his clients. Depending on the day, Ron is a dismal gangster, a dull red bob British psychopath, an underground Russian criminal, and a mysterious gentle man.

He inhabits Ron-off-duty as well. When he is hired by Madison, he first turns into a bad boy stud, and he eventually convinces her to leave the abuse, talking to Madison at a diner over a controlled pie with her husband Ray, and as Ron, he takes off his cool jacket and becomes somewhat on a date so he can charm women well. You can do it. After Madison finds her place and files for divorce, she reaches out to Ron to thank him. The two reconnect and begin dating-With Gary completely committed to pretending to be Ron, and the setting limits to their relationship where they can only see each other since Madison, given his dangerous line of work.

As Madison and Ron get more serious, they take their relationship to the next step by going on a real date. Madison, meanwhile, seems to have a little bit of her own identity crisis — freed from her manipulative husband and misled by the conspiracy of dating a man who committed multiple murders under his belt. So when they go dancing and encounter Madison's ex-husband Ray at the club, when he follows the pair outside, she pulls a gun on him, her new Gary is rattled by the altercation, especially as the line between true and false about his identity seems to be starting to blur in the real world.

To complicate matters more, when they go for ice cream after the club, Jasper (Austin Amelio), Gary's bad cop colleague from the police station, together with them Jasper recognizes Madison but does not know where she is while talking to Gary later. This is the first time I've seen this video. Gary claims that 2 people were both there by chance to avoid revealing that he sees Madison as Ron.

Gary soon realizes that Madison is in danger when her ex tries to hire him. When he goes to the sting operation, he looks closely at Ray to understand who he is and not to recall his recent run-in with Madison. Their interaction was uncomfortable, and Ray threatened to take the matter into his own hands, storming out of the diner, leading Gary to tell Madison that he heard that Ray wanted to give her a hit.

Shortly after, Ray is killed by a gunshot, and Gary instantly knows that Madison killed him — police suspect it was a drug deal wrong, and Gary accompanies the investigation, but gets nervous about something and confronts Madison.

When he goes to her house and confirms that she shot and killed her ex-husband, he becomes increasingly furious, admits to Madison, "I'm a fake killer," and asks why he kills people all the time, asking why he feels so stressed. She is disturbed by the fact that she is lying, and he is overwhelmed by how deeply he himself accepts his Rom persona.

Gary then told police that Madison was the culprit of his life1 million life insurance policy that would go to her because they weren't technically divorced and Jasper knew that Madison reconnected with Ron and that she trusted him, so the officer suggested he reach out to her and let her confess. eavesdropping on him to see if he's going to do it.

During the stabbing, he decided to protect Madison with a message on his phone, telling her that he was wiretapping, and the police buying it what to say to her. It's a pleasure to see them back and forth — and a thrill for the couple when they lean on the newly discovered dangerous side.

Just when Gary and Madison think they have closed the case in the murder of her ex-husband, Jasper trusts his instincts that the two were conspiring and threatens to intimidate them. He goes to Madison's house and gets her to lead her mistress there and explains that he wants a payment from life insurance. After all, Madison put drugs in his beer, overdosing on him and fainting.

While the two discussed what steps should be taken, Gary calls Ron again and suggests killing Jasper by suffocation, which he says can make him appear to have died of suicide by putting him in his car, which is found with drugs in his system, and he says that he has no idea what to do. Madison agrees and they actually kill him — meaning Gary has killed someone now. That said, the two shut their mouths and say "I will" to stick together "for better or worse,"commit to a love life that runs together and step into personas like Bonnie and Clyde completely.

So the Hitman makes a case where you can change — Gary finds what he calls himself and Ron's "proper cocktail," so the more adventurous and attractive person he wanted to be. Madison pulled it out of him, and he pulled out her power. The film returns to his classroom, where he says to his students, "grab the identity you want for yourself," which is possible what he has learned.

In the final scene, it becomes clear that Gary and Madison actually said, "I do" to their ride-or-die relationship. It was a great experience. The hitman ends with a shot of Madison and Gary picking up two young children from school and enjoying a meal at their home together. Their daughter asks where the two met, and there is a twinkle in their eyes as they explain that it was in the diner on the pie (technically a mistake).

It's the sweet finale of a story that takes turns like an increasingly blockbuster and inevitably arrives in a cheeky rom-com, a moment to happily cap it off. Just as Gary says the hitman concept is fantasy, the hitman is true to eventually become a Hollywood fantasy